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Mantra: “We should focus our actions, time, and resources on Direct Action, Mutual Aid, and Community Outreach… No War but Class War!”

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Song: https://youtu.be/fabi8nyjsYc

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Joined 1 year ago
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Cake day: August 5th, 2023

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  • TIL, thanks for sharing this song with us!

    The Human League’s Phil Oakey teamed up with electronic master Giorgio Moroder for this classic '80s tune.

    Giorgio Moroder wrote ‘Together in Electric Dreams’, intended for a male solo vocal.

    Movie director Steve Barron suggested his former colleague, Human League frontman Philip Oakey, for the part.

    The song was later credited to Moroder and Oakey, after the two teamed up in the recording studio.

    Moroder is best known for his production work and is often called the ‘Father of Disco’.

    The film Electric Dreams was director Steve Barron’s first full feature film. His previous work included directing a number of music videos, with his most famous being The Human League’s ‘Don’t You Want Me’ in 1981.[1]


    Together In Electric Dreams (Remastered 2003 / From “Electric Dreams” Original Motion Picture… [03:52 | Philip Oakey - Topic][2]

    This synth pop ballad captures the story of a romance.

    The song was based upon Steve Barron’s film, “Electric Dreams” (Barron directed the Human League’s music videos, he directed “Don’t You Want Me”).

    spoiler

    In the film, the lead character Miles finds himself trapped in a love triangle with his neighbour called Madeline and super computer which becomes alive. The computer, coining himself Edgar, becomes alive due to being doused in Champagne and a faulty set up.

    The film ends with Edgar committing suicide as he accepts Miles and Madeline’s love for each other, as he send extreme electrical volts into himself.

    The final scene shows Miles and Madeline on holiday listening to the radio with Edgar (being the voice) dedicating the song ‘Together in Electric Dreams" to the “ones he loves.”

    The song encapsulates this narrative with the relationship being between Miles and Madeline, with their admiration for each other being solidified within the death of Edgar.

    The song was originally released to advertise the film but quickly overshadowed the film and became a success in its own right as it peaked at No. 3 on the UK charts.

    Oakey stated that it is ironic as the track took ten minutes to record without any hope or realisation that it would become a worldwide hit[3]


    1. [1] The Story of… ‘Together in Electric Dreams’ by Phil Oakey and Giorgio Moroder | Tom Eames | 4 November 2021 | https://www.smoothradio.com/features/the-story-of/together-in-electric-dreams-song-lyrics-video/ ↩︎

    2. [2] YT Link: https://youtu.be/vVJYBPQyFTQ ↩︎

    3. [3] https://genius.com/Philip-oakey-and-giorgio-moroder-together-in-electric-dreams-lyrics ↩︎




  • TIL.

    Thanks for sharing!


    Edit: added quote below

    By design, WebExtensions is more limited than the promiscuous extension mechanism. By design, it also works better. Most of the Firefox development tax has disappeared, as only the WebExtensions API needs to be protected, rather than the entire code of Firefox. Most of the maintenance tax has disappeared, as the WebExtensions API are stable (there have unfortunately been a few exceptions). It is also much simpler to use, lets add-on developers share code between Firefox and Chromium add-ons and should eventually make it easier to write extensions that work flawlessly on Desktop and Mobile.






  • Submit or consume the consumed

    The gags of dissonance echo as they preach

    “‘A Visceral Retch’ is a song that fans of The Somatic Defilement will latch onto immediately. It was one of the first songs we had in the chamber to work with. This song came to light thanks mostly to [guitarist] Zach Householder. He showed us and we all immediately said, ‘yup, that’s it.’ Zach is notorious for very dark and horror-like vibes so this album is right in his wheelhouse. The song is disturbing. Imagine being put in a situation of survival by gluttonous, mammoth demons that give you a choice. Eat the demons’ waste, eat each other, or starve to death. The twist, you’re against the people you love the most. It’s a way to find the ones that are truly evil people to build and strengthen their cult. It also represents how horrible people can really be, when push comes to shove.” – Phil Bozeman[1]


    1. [1] https://genius.com/Whitechapel-a-visceral-retch-lyrics ↩︎




  • ITT: Blue MAGA and preaching to the choir.

    Dr. Jill Stein has improved the Green Party; y’all just believe anything the duopoly and owner-class media spit out when it agrees with your thinking.

    Muslim support is at an all-time high for Dr. Jill Stein; that is why AOCPelosi, the new attack dog of Blue MAGA, started up again.

    I suggest getting out of the echo chambers and checking out independent journalists instead of continuing the self-censorship.


  • To keep his sanity, Joel crafts sentient robot companions, including Tom Servo, Crow T. Robot, and Gypsy, to keep him company and help him humorously comment on each movie as it plays, a process known as riffing. Each two-hour episode would feature a single movie (often edited for time constraints), sometimes preceded by various old shorts and educational films, with Joel, Tom, and Crow watching in silhouette from a row of theater seats at the bottom of the screen.







  • I am for the working class, not the owner-class and their lackeys that help divide us with culture wars and identity politics.

    It is interesting, but I still see it as jargon and a distraction for the issues that will unite the working class.

    Intersectionality is a sociological analytical framework for understanding how groups’ and individuals’ social and political identities result in unique combinations of discrimination and privilege. Examples of these factors include gender, caste, sex, race, ethnicity, class, sexuality, religion, disability, height, age, and weight.