God forbid an artist use a traumatic experience to create art.

Sulkowicz devised Mattress Performance (Carry That Weight) in the summer of 2014 as a senior thesis while at Yale University Summer School of Art and Music. Her first effort was a video of herself moving a bed out of a room, accompanied by the audio of her filing the police report, which she had recorded on a cellphone.[24] The mattress later became the focus of the piece.[25] Sulkowicz’s thesis was supervised by artist Jon Kessler, a professor at Columbia. As the idea for Mattress Performance developed, Kessler and Sulkowicz discussed the nature of endurance art and the work of Tehching Hsieh, Marina Abramović, Ulay and Chris Burden.[26] Sulkowicz described the work as “an endurance performance art piece”. Sulkowicz told the Columbia Daily Spectator: “I do think that nowadays art pieces can include whatever the artist desires and in this performance art piece it utilizes the elements of protest …”[27]

Purchased online from Tall Paul’s Tall Mall, the 50-lb (23-kg), dark-blue, extra-long twin mattress is of the kind Columbia places in its dorms, similar to the one on which Sulkowicz said that Nungesser had raped her.[11][24] Sulkowicz spent the summer of 2014 creating the rules of engagement, which defined the parameters of the project. Written on the walls of her studio in the university’s Watson Hall, these included that Sulkowicz had to carry the mattress when on university property; that it had to remain on campus when she was not there; and that she was not allowed to ask for help in carrying it, but could accept if help was offered.[24][28]

In early September 2014 Sulkowicz began carrying the mattress on campus.[29] A homeless man was one of the first to help. Sulkowicz told New York magazine: “He was the first person who helped without some sort of preconstructed belief for why they were going to help. He was like, ‘Oh, look, a struggling girl—let me help her and be a nice human being.’ That was probably the most honest interaction I had.”[30] Sulkowicz kept a diary throughout, amounting to 59,000 words at the end of the work, recording the artist’s experiences as well as the misunderstandings of commentators.[30]

Sulkowicz said the work would end when Nungesser was expelled from or otherwise left Columbia, and that she would take the mattress to her graduation ceremony if necessary.[11][25] In the end Sulkowicz carried it to the graduation ceremony on May 19, 2015,[7] despite a request from the school that students should not bring “large objects which could interfere with the proceedings”.[4] Several women helped carry the mattress on stage. As Sulkowicz approached, university president Lee Bollinger, who had been shaking other graduates’ hands, turned away as if to pick something up, and did not shake her hand; the university said this happened because the mattress was in the way.[10] The next day posters appeared in Morningside Heights near the university calling Sulkowicz a “pretty little liar”.[31]

After graduation Sulkowicz said she had known the university would not expel Nungesser, and had expected to carry the mattress for nine months, the length of a pregnancy, which was an important part of the work: “To me, the piece has very much represented [the fact that] a guy did a horrible thing to me and I tried to make something beautiful out of it.”[30]

Source